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A nose for art. Prodigious noses.

Manda narices. Estoy hasta las narices. Meter las narices dónde no le corresponde. Dejar alguien con un palmo de nariz… The Spanish language is especially rich in popular expressions that invoke the nasal appendage. We might say they have a nose for it!

The nose is one of our most characteristic features, one of the parts of the face with the most pronounced personality, and no two noses are quite the same: snub, upturned, Roman, elongated…

Indeed, it’s often said that the nose defines the person: someone with a long nose is prudent, wise, kind-hearted and honest. On the other hand, a small nose may be considered a sign of a weak character and a lack of personality, while a person with a large, thick nose is likely to be energetic, vital, perhaps stubborn… We could go on to list more types and definitions of noses – there are quite a few – but what’s really interesting is not just the nose’s external appearance but also its function.

The nose is home to one of our most important senses: smell. Most of us probably don’t realise how much we use it every day and we rarely appreciate all the nuances it can offer us. We smell without smelling!

Smell plays an enormous part in reinforcing our memories, far greater than sight or hearing. Olfactory recollections, and all the elements associated with them, have a more enduring presence in memory than images or sounds. As Rousseau wrote: ‘Smell is the sense of memory and desire.’

All of this has a lot to do with the exhibition we are now presenting to you. NASEVO was the artistic pseudonym of Ernesto Ventós Omedes. His use of the word nas (‘nose’ in Catalan) plus his initials as an alias gives us a first hint at how important this appendage was for him. The nose is the unifying element in all of Ernesto Ventós’ work, whether as a creator of essences, as a collector of contemporary art or, for a few years, as a visual artist.

NASEVO decided to appropriate this appendage to give free rein to his tireless imagination and see the world through his nose. And thanks to his enthusiasm for the provocation of the Dada movement and the Surrealists’ readings of the realm of dreams, his creations as NASEVO have a unique mix of the absurd and the hallucinatory.

For NASEVO, the sense of smell was the essential basis of all our senses, the first thing that unites us with the world and guides our engagement with everything around us. NASEVO’s creations invite us to pay closer attention to the possibilities of this special sense and take us more deeply into the fascinating and wonderful olfactory world.

Cristina Agàpito
Art director
Fundación Ernesto Ventós

Past Exhibitions

The scent of fall

The summer ends, the weather is dry and hot, and fall begins, with the arrival of the rains and changes in the colours of the landscape. The trees convert their leaves to yellow and brown tones, the leaves fall, becoming a damp carpet, giving us a set of smells that are more intense, more serene, and that are magnified with the moisture of rainy days.

Smell is Colour

NASEVO is an indefatigable champion of the sense of smell as an unrivalled source of knowledge about our natural and personal environment which ought to be taught and cultivated, and of nas – ‘nose’ – as a word, a suffix and prefix with which to create new words that bring smell to the forefront of the senses.

Find out all about how smell is colour through a sensory experience directed by Montse Cuadradas.

Science and Essences. NASEVO (Olot, Girona)

How are fragrances represented visually? How are they classified? The exhibition Science and Essences. NASEVO, which takes us inside the world of smells, is open to visitors from 9 February until 22 April in Room 15 of the Museu de Garrotxa, on the first floor of the Hospici. Admission is free.

NASEVO. Science and Essences

The exhibition explores the scientific and creative processes of a multisensory artist who unites colour and smell by way of the object NOSE.

Descripción formal:
Nota olfativa: Humedad
Descripción de la nota:
agua, papel mojado, moho

Texto del autor de la obra:
De pequeña tenía un vestido verde i yo siempre lo llamaba el vestido de la lechuga, y nunca el vestido verde. No me he acordado hasta hace poco, en ver estas fotos.
El jardín de las fotos es el mismo jardín de la mi infancia, con la hiedra, los pilares y las macetas con lilas, cerrado. En inverno siempre me olvidaba que había un jardín y lo veía sólo enmarcado por las ventanas, y era en verano que me asaltaban toda esta variedad de verdes y los bichos.
Seguramente que alguna vez he vagueado entre la hiedra acabada de regar con mi vestido de lechuga (y no me he acordado hasta ahora). Que pena que nadie hiciese fotos.
Me lo imagino en medio de un gran calor de agosto, como cuando hice estas.
En medio de un calor que hace olor.

Descripción general:
Autor de la obra: AGRELA, ANGELES
Año de la obra: 2000
Modalidad: Fotografia

Descripción formal:
Nota olfativa: Champan/Aromas
Descripción de la nota:
licorosa, fiesta, espuma

Texto del autor de la obra:

El perfume es el confeti del olfato.

Joan Brossa

Descripción general:

Autor de la obra: BROSSA, JOAN
Año de la obra: 1995
Modalidad: Escultura

Descripción formal:
Nota olfativa: Floral
Descripción de la nota:
geranio, rosa, lilas, clavel, violeta, madreselva, jacinto

Texto del autor de la obra:

Disparo de flor (Título aleatorio)

Hay olores que ni la imaginación nos autoriza a poder gozar…¿Qué es un disparo de flor? ¿El sueño de una semilla? ¿Huele un deseo? Hay artistas que intentan decir aquello que todavía no saben…

Antoni LLena

Descripción general:
Autor de la obra: LLENA, ANTONI
Año de la obra: 1992
Modalidad: Escultura

Descripción formal:
Nota olfativa: Agreste-herbácea
Descripción de la nota:
lavanda, espliego, romero,  laurel, salvia, tomillo, orégano, apio, comino

Texto del autor de la obra:

Olor, presencia del rostro.
Rostro, bañado de ojos.
Ojos abiertos, que lloran.
Lloran lágrimas complejas de olor.
Olor a sal.
Sal del Mediterráneo.
Mediterráneo ya, vivido.
Vivido dejà vu (ya visto)
Visto los ojos
Que evocan vívidos recuerdos

Descripción general:
Autor de la obra: CALVO, CARMEN
Año de la obra: 2013
Modalidad: Collage​

Nota olfativa:
Composición de la Nota olfativa:
Humo, ahumados, alquitrán de madera, abedul, labdanum, styrax.

Año de la obra: 2004/2005
Modalidad: escultura
Dimensiones (cm): 60 x 32 x 23 cm.
Material: Cartón-espinas

Nota olfativa:
Composición de la Nota olfativa:
Flores, frutas, cítricos, verde, maderas, vainilla, almizcle

Título:  LUZNAS
Año de la obra: 2015
Modalidad: escultura
Dimensiones (cm): 140 x 160 cm.
Material: Neón

Nota olfativa:
Composición de la Nota olfativa:
Verde naturaleza, floral, lino, cloros, lejías.

Año de la obra: 2004
Modalidad: escultura
Dimensiones (cm): 54 x 80 cm.
Material: Madera-poliuretano

Nota olfativa:

Composición de la Nota olfativa:
Algas marinas, pescado.

Año de la obra: 2016
Modalidad: fotografia
Dimensiones (cm): 100 x 75 cm.
Material: Fotografia-sobre base de metal