The work Landscape 7 is framed within a set of works that deal with the pictorial medium itself and try to bring us closer to the plastic nature and the sense of artistic practice from the acceptance of accidental or random events that occur around praxis as positive factors, as well as excess elements and apparently marginal aspects.
As if it were a geological sedimentation process, the piece is composed of pieces of dry paint that have been formed from different layers and mixtures in pallets or paint buckets, selecting those that from different layers of paint have formed a range of colors according to an imaginary summer sky at sunset.
For me that the material comes from an active process is very important since its authenticity lies here, not only conceptually but also in the concretion of the form. The union of the pieces and their accumulation builds a semi-flat profile.
I like to think that this work can encompass different senses of human perception, both sight and touch, however, smell can be an aspect that provides the image where the simile between the shape of the mountain and that of a landfill is very eloquent.
Unlike the piece presented last year, this work acquires a new dimension where the sky can suggest an environment with the smell of earth and air.